
If you ever had a doubt that the French are obsessed with love, or at least have a different mindset about all variations: amour fou, fidelity, passion, adultery than we puritanical Americans, check out their movies. On this matter, the French are consistent.
Even in an epic length period drama like The Princess of Montpensierwith its sweeping battle scenes and violence, the love the young womanof the title experiences for Henri de Guise (Gaspard Ulliel), the rakish heartthrob of her youth is what matters most to director Bertrand Tavernier. Adapted from a 16th century 30 page story by Madame de Lafayette, the film also features Lambert Wilson, perhapsthe most appealing of French actors (see the very fine Of Gods and Men), as Chabanne, a soldier who transgresses military code by murdering a pregnant woman, driving his long blade through her belly, for which he renounces violence.Most tender are Marie’s scenes with Chabanne who instructs her in literature, philosophy, and all mattersof the court.
But as the popular Rendez-vous with French Cinema festival screens in the week ahead, love takes many forms: In the opening night film, Francois Ozon’s Potiche, the trophy wife played by Catherine Deneuvein curlers and professing bourgeois bliss, reconnects with an old love, bringing the iconic actress together again with that grand and sexy bear, Gerard