
The four artists included in this edition of “On Seeing” each address ecology and our deepening environmental concerns. Their approaches vary from temporary sculptures and installations dependent on the cycles and processes of nature to patient documentations of the intersection between humans and our environment. Each has developed a powerful body of work that poses questions while drawing both functional and metaphorical connections to the natural world.
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John Grade, Host, Cellulose, seeds, rice pulp, capsicum paste, 12 x 12 x 1.5 feet, 2007-2008, Sited in Kaibab National Forest, AZ.
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John Grade, Host, Cellulose, seeds, rice pulp, capsicum paste, 12 x 12 x 1.5 feet, 2007-2008, Sited in Kaibab National Forest, AZ.
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From the first time I learned of John Grade’s work, he seems to have continually developed new and fascinating projects bridging his art practice and commitment to preservation and the environment. Those pictured here include Host, one of many of Grade’s works that is in part sculpted by the environment (in this case, local birds), and The Elephant Bed, graceful forms made, as is typical of Grade’s process, from biodegradable materials; at the end of this exhibition at Fabrica in Brighton, UK, the works were carried through the streets and deposited in the English