
T.S. Eliot’s “The Waste Land,” one of the truly revolutionary poems in the English language, is now breaking new ground for poetry on the iPad. Faber and Touch Press have teamed up to create a new “The Waste Land” app, an ambitious effort to, as they put it, “vividly [showcase] the iPad’s capabilities as a platform for literature.” The app is just the beginning of an effort “to re-imagine poetry for the digital age,” bringing it off the page and into life in various media, and offering — at the reader’s request — interactive annotation and targeted guidance from dozens of experts with the tap of a finger.
Most readers would agree that they could use some technological help to fully understand “The Waste Land.” The poem is brimming over with literary and religious allusions, many of which are quite obscure. Eliot once explained,
To grasp just how difficult “The Waste Land” is, one needs look no further than the poem’s epigraphs: they’re presented in the original Latin, Greek and Italian and are not





